Last Thursday, Huffington Post founder Arianna Huffington responded to a question posed to two other executives about whether the HuffPo or the Wall Street Journal would be bigger in five years.
I mentally braced myself last night as I began watching the premiere of the U.S. version of “Top Gear.” Not only is the original UK version is one of my favorite shows on television, but it’s one of the most-watched shows on the planet with an estimated 350 million viewers. So, there’s a high bar for the American version to reach.
“Top Gear” is described as “a car show,” but it’s much more than that. It’s about travel, competition, ingenuity, all wrapped in a lot of wit and humor. There’s a lot of crashing and blowing stuff up, too.
What most intrigued me about the new show is when I heard “Top Gear” USA co-host Adam Ferrara say it’s “a glimpse into the male mind.” Sure, this could be a good way to brand “Top Gear” in the U.S. It gets framed as a man’s show. A place where “us guys” can be Men. (Cue the grunting and chest-pounding.) But the show in the UK doesn’t try to be hyper-masculine like some other shows geared toward men in the U.S. (“Ice Road Truckers,” “Deadliest Catch”). Women make up 40% of Top Gear’s audience in Britain. Ferrara’s statement could be a nod toward the often self-deprecating sense of humor found on the show. Perhaps not coincidentally, Andy Wilman, the executive producer of “Top Gear” in the UK told “60 Minutes” something similar about the show: “It’s a journey into the male mind, which, I believe, is a really, potentially, very funny place. ‘Cause, let’s face it, nothing happens there.”
“Top Gear” USA wasn’t as bad as I thought it would be, but it was great either. There needs to be more personality from and better interaction between hosts Ferrara, Rutledge Wood and Tanner Foust. They didn’t seem comfortable with each other yet. The interview with Buzz Aldrin in the “Big Star, Small Car” segment was as horrible as that segment’s name. They should also have more fun with The Stig, the show’s racing driver, like they do in the UK, and include more basic info on the cars being profiled (0-60, horsepower, engine size, etc.). The Lamborghini segment at the end, though, captured a lot of what makes Top Gear great: cars, competition, good cinematography, story-telling and camaraderie between the hosts.
As far as insight into what goes on in the male mind, I’m going to give the show time. Top Gear in Britain is more than cars or the personalities of its hosts Jeremy Clarkson, Richard Hammond and James May. It’s their knowledge of cars, the world in which they travel and their way of explaining their adventures to the audience in a smart, funny and colorful way. If “Top Gear” USA adds some American-flavored irony and wit to the speed, competition and explosions, they’d have a show worthy of it’s British brother and paint a better picture of what’s going in the American male mind.
Did you see the U.S. version of “Top Gear?” What do you think?
Eastwood’s endurance is the endurance of saints, and what he embodies more than anything is the definitive virtue for American men both then and now: restraint. He rides the line between his own terrible desires and the world as it is with the grace we all aspire to.
Marche breaks down Eastwood’s supposed macho image. He calls macho, “a preening pose assumed by men who aren’t sure they’re men and who compensate by needing more, having more, showing more.” Eastwood, Marche says, “has always been about needing and having and showing less.”
This simplicity and restraint, according to Marche, has not only allowed Eastwood to live to 80 years old, but to thrive at an age when most people think about retiring.
Eastwood’s endurance is one of the rare phenomena that make me genuinely hopeful about men. It’s not just that he proves that you can be awesome when you’re eighty. He proves that it’s possible to be open-minded and creative and daring and still hold on to the old virtues.
When I hear terms like “old virtues,” it’s often yearning to recapturing a sense of masculinity that was lost: A nostalgia for the 1950′s, pre- Civil, Women’s and Gay Rights definition of white masculinity. Marche isn’t talking about that. These virtues are restraint and simplicity. If the undoing of the modern man is partially due to boys who can’t focus and “sit still in kindergarten,” then these virtues could turn that around. Walk away from your Internet addiction of choice, turn off the flatscreen and gaming system, and focus on something productive.
Muscles and gadgets may not be mandatory in whatever new masculinity ideal will be imagined, but endurance and restraint surely will be.
The night before the election, Anderson Cooper remarked on one of the big trends of the 2010 Election season: “‘Man up’ is sweeping the country.”
He was talking about a clip in which Sarah Palin responds to unnamed Republican sources who reportedly don’t want her to run for president. She said they should “man up” and come forward so she could debate with them.
If a politician is going to criticize an opponent for not being strong enough or having certain skills, just say that. Man Up implies a candidate is not a “real” man because he’s weak, ineffectual and impotent. The slur is an attempt to undermine and insult him on the basis of what society thinks an ideal man is. It’s the male equivalent of what got California Governor-elect Jerry Brown in trouble when someone in his campaign called Meg Whitman a “whore.”
Man Up hurts women, too. It assumes masculinity is a qualification to hold public office. Equating “manly” with strength, productivity and integrity demeans women by excluding them from those characteristics. It doesn’t allow femininity to be powerful. That further marginalizes women in politics, which is something that the U.S. needs to improve.
In light of the testosterone litmus tests this year, it’s worth noting that presumptive House Speaker John Boehner cried on Election night. He wept when he spoke about spending his “whole life chasing the American dream.”
There absolutely nothing wrong with a man crying in public. In fact, it was actually fitting he did. In an election season when terms like ‘man up” and “unmanly” were thrown at candidates, the head of the winning party wept. Politics clearly isn’t immune from American masculinity’s soul-searching and attempts to figure itself out.
Boehner’s tears won’t stop the Man Up trend. It’s an easy soundbite to throw at a candidate. I do hope, though, that the next candidate who’s told to “man up” can call out the remark’s inherent sexism. If they win, they should feel free to rejoice and cry in victory.
Before the Christine O’Donnell “One-Night Stand” story came out, I was already thinking about sexism in politics going the other way: toward male candidates. This year, several female candidates have called the manhood of their male opponents into question. Those candidates include O’Donnell who called her primary opponent Mike Castle “unmanly” and said, “this is not a bake-off, get your man-pants on.”
Sure, that’s not the worst thing you could say to someone, but if you use someone’s gender to attack them, isn’t that sexism? When a female candidate’s sex life is made public, it’s done to shame her because some people think women should be sexually modest. When a male candidate’s masculinity is questioned and he’s told to “man-up” or “be man enough,” is that shaming him by saying he’s weak and impotent?
One of the big political stories on this weekend before the election is the anonymously written piece in Gawker by a guy who said he had a “one-night stand” with Delaware Republican Senate candidate Christine O’Donnell.
There’s a lot of outrage about it. There is definitely a mean, misogynistic streak in the story. “But there were signs that she wasn’t very experienced sexually,” the author wrote, along with details about her pubic hair. It seemed the story was out to hurt her personally and not just tell the facts of the evening in question. The story is written anonymously. The writer should have the courage to stand behind his story.
Christine O’Donnell is seeking federal office based in part on her self-generated, and carefully tended, image as a sexually chaste woman. She lies about who she is; she tells that lie in service of an attempt to impose her private sexual values on her fellow citizens; and she’s running for Senate. We thought information documenting that lie—that O’Donnell does not live a chaste life as she defines the word, and in fact hops into bed, naked and drunk, with men that she’s just met—was of interest to our readers.
If the story is true, O’Donnell is sexual hypocrite (not the first in politics) and Gawker badly executed the revelation (anonymous writer, mean-spirited and misogynistic).
Juan Williams joins the ranks of Helen Thomas, Octavia Nasr and Rick Sanchez who were fired or resigned from their respective news organizations for expressing their opinion. As you probably know, Williams was fired by NPR for his remarks on “The O’Reilly Factor” in which he expressed his feelings about seeing people in “Muslim garb” when he gets on a plane. “I get worried. I get nervous,” he said.
Here’s the entire interview.
Thomas, Nasr, Sanchez and Williams were let go for expressing personal opinions in informal settings or places where they were the interview subjects. Because they put themselves in positions where the public was looking for the them to offer insight, perspective and a bit of their personality, their opining put them in positions to get in trouble with their employers.
I’m not a gamer and had no idea there was a video game for DJ-ing. But the DJ Hero 2 commercial got my attention. Not just because it’s a video game I might want to play (which is pretty rare), but because of it’s clear and overt use of race as something people could Mix 2Gether (their spelling).
The ad does two things. It puts race and the possibility of sex in the foreground. There’s the flirtatious steal of the hat and the kiss that gives the guy braces. The commercial also shows race as flexible when the two DJs partially switch skin colors.
It’s said Millenials aren’t as concerned about race as previous generations are. The folks at DJ Hero 2 are probably betting on this. I think they’re a little heavy-handed, though, in putting together the ideas of DJ-mixing and race-mixing. While that analogy might sound offensive, I don’t think the ad comes of that way. In the end, it’s a fun commercial that shows people of different races partying and having fun in ways not often seen in advertisements.